dime in the gutter wrote:
is our boy stills is wearing a louisiana state trooper uni?
Fuck Stills.
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dime in the gutter wrote:
is our boy stills is wearing a louisiana state trooper uni?
Steve French wrote:was stephen Stills a Louisiana State Trooper?
Steve French wrote:was stephen Stills a Louisiana State Trooper?
sactochris wrote:
In 2004 when my mom died, I went back to East Moline for her funeral, and saw my oldest brother who I hadn't seen, or even spoken to in ten years. We had a falling out when he and I moved her back to Illinois after she retired. One of the first things I noticed was that in the ten years that we hadn't spoken we had both bought the same brand of speakers, and the exact same model Adcom amp. I guess blood is thicker than water I thought to myself. I walked over to his CD rack and looked for something to listen to, I grabbed Tonights The Night, and that album that's so full of death was strangely enough, very soothing to me, even as I was struggling to come to grips with the loss of my mother. He was really drunk on top shelf tequila, as he usually is by that time of night. As soon as the disc started playing he smiled real big and said " so what the fuck have you been doing for the last ten years" So now when I play that record I never think about the loss of my mother, I always think about getting my oldest brother back.
Clams wrote:sactochris wrote:
In 2004 when my mom died, I went back to East Moline for her funeral, and saw my oldest brother who I hadn't seen, or even spoken to in ten years. We had a falling out when he and I moved her back to Illinois after she retired. One of the first things I noticed was that in the ten years that we hadn't spoken we had both bought the same brand of speakers, and the exact same model Adcom amp. I guess blood is thicker than water I thought to myself. I walked over to his CD rack and looked for something to listen to, I grabbed Tonights The Night, and that album that's so full of death was strangely enough, very soothing to me, even as I was struggling to come to grips with the loss of my mother. He was really drunk on top shelf tequila, as he usually is by that time of night. As soon as the disc started playing he smiled real big and said " so what the fuck have you been doing for the last ten years" So now when I play that record I never think about the loss of my mother, I always think about getting my oldest brother back.
Good stuff, Sacto.
RustyBolts wrote:I'm sure glad I never knew about "honey slides," or my gray years would have been a lot more gray.
ramonz wrote:One of my all-time favorites. I have a really cool book from Gary Burden, Neil's album cover designer in 70's (also did After the Gold Rush, On the Beach, and others). Here's what he says about the TTN cover:
This is one of the most interesting and deeply inspired packages I have been a part of making. It is filled with mystery and heavy drama that includes the death of a young man who was very close to Neil, the project, and all of us.
Bruce Berry was a long time roadie for Neil. He had been struggling with his addiction to heroin for some time and finally lost the battle and his life. Neil celebrates Bruce in the song Tonight’s The Night. For this record Neil was looking for a particular sound appropriate to the songs and he found it at a place called Studio Instrument Rentals, SIR, ironically owned by Bruce Berry’s brother. There was another Berry brother, Jan Berry of the group Jan and Dean and he suffered a horrendous fate when at the peak of his career he was paralyzed in a car wreck I digress. SIR was located in a very seedy part of Hollywood as dark as what was going on on the record. The rehearsal room Neil liked the sound of was way in the back and it was a hassle to set it up as a studio, run cables etc. So Neil had them knock a hole in the outside wall of the building, they pulled the remote recording truck up next to the building and ran all of the cables etc. through the new hole in the wall. Neil is nothing if not determined.
During the time Neil was recording the album David Geffen and Neil’s manager Elliot Roberts, with their other partners, opened a new club on the strip (Sunset Blvd.) The Roxy and On The Rocks. That was a wild night. Neil was the first artist to play the club. It’s still a famous rock and roll music venue. I saw one of the greatest nights of music ever when Bob Marley played there. The night Neil opened the club the backstage was wall-to-wall celebrities. Everyone from Jack Nicholson to Elton John. I shot super 8 movie film all night long in every nook and cranny of the club and in every notable face I could find. In line with the vibe in the air at the time I lost all of that film, hours and hours of amazing stuff that I never saw any of. Some of the mysterious elements in this package included a photo of Neil at Barney’s Beanery sitting inside one of the famous assemblage artist Ed Keinholz’s pieces, man with clocks for heads. There is a full-page spread of an article from a newspaper in Holland all written in Dutch, a photo of Mickey Rooney as Huck Finn and Neil’s very abstract rap about Waterface and Miami Beach, where, “Everything is cheaper than it looks”.
In designing the package and selecting the paper stock the first challenge Neil presented was that he wanted the package art to rub off and wear out in a short period of time. I researched and found that the most easily destructible paper, that would disintegrate the quickest, was blotter paper. Now, not many people print on blotter paper and a more experienced graphic artist would have known that, but being blissfully/purposefully ignorant I didn’t known the pit falls. When the printer got over his apoplexy and settled down I told him why and what we wanted to do. We ran some test on press and actually did one where we ran four color process on blotter paper! The poor printer was very frustrated because every time he would get up and running the blotter paper would be disintegrating and the blanket of the presses would get clogged up and he would have to stop and clean them before continuing. In the end we were able to give Neil what he wanted and later when I would see the cover in other people’s homes looking old, funky and worn out when it was only a few weeks old I got a big smile.
Corner of my office.....
Steve French wrote:I've always said I hate fuckin Neil Young the fuckin' hippie. In spite of owning the live Rust Never Sleeps and playing it fairly often (I love Powderfinger/Sedan Delivery/Welfare Mothers) but a lot of it never clicked with me. I dont enjoy his singing voice that much I guess, or whatever.
I will, however give Tonights The Night an unbiased listen. At least as unbiased as I can be with this sort of ...............
I saw that movie too when I was young, that was pretty cool: the one wher he had Sand People as roadies. Maybe it was the film of that album? as you know, the louder and thrashier it is, generally the happier I am.
excellent work Mr Cortez you might just turn me into a freakin' hippie after all.
ramonz wrote:Man, this thread is fantastic. I ignored it b/c I'd never heard the term "The Ditch Trilogy," but now I recall that quote and it all makes sense. Honestly, I thought it was some movie or tv show or book thread, along the line of those freakin' vampires that were so popular last year.
Thanks for this Cortez. Read it all last night and really enjoyed it. I went up in my attic b/c I thought I had TFA on vinyl, but it was JTTP that I was thinking of. I need to dig deeper into both of those. TTN and OTB are so damn good. I never even really knew of OTB until it (finally) came out on CD 5-10 years ago.....simply amazing.
BTW, you think Stills is crap? Music-wise or pain-in-the-ass wise? I really (really) like that first Manassas album.
cortez the killer wrote:I'm very biased towards Stills. Much of what I've read about him makes him sound like a raging asshole douchebag. He comes off as a very petty, insecure, and paranoid dickwad. Unfortunately that clouds my judgement on his stuff. I have a copy of Manassas, but never really gave it a chance. I'll have to give it another listen with fresher ears.
dime in the gutter wrote:cortez the killer wrote:I'm very biased towards Stills. Much of what I've read about him makes him sound like a raging asshole douchebag. He comes off as a very petty, insecure, and paranoid dickwad. Unfortunately that clouds my judgement on his stuff. I have a copy of Manassas, but never really gave it a chance. I'll have to give it another listen with fresher ears.
cocaine is a hell of a drug.
dime in the gutter wrote:cortez the killer wrote:I'm very biased towards Stills. Much of what I've read about him makes him sound like a raging asshole douchebag. He comes off as a very petty, insecure, and paranoid dickwad. Unfortunately that clouds my judgement on his stuff. I have a copy of Manassas, but never really gave it a chance. I'll have to give it another listen with fresher ears.
pretty much this....but that manassas lp is a beauty.
cocaine is a hell of a drug.
sactochris wrote:I've never been that big of Neil Young fan. Don't get me wrong now, I like him, and I have several of his records. I just haven't ever been as into him as so many other people I know who's musical tastes so closely resemble mine. That being said, I think Tonights The Night is pretty close to being a near perfect record, warts and all. I bought a copy of it on vinyl around 2000 or 2001 and even on first listen I was convinced that it was by far the best thing of his I had ever heard.
In 2004 when my mom died, I went back to East Moline for her funeral, and saw my oldest brother who I hadn't seen, or even spoken to in ten years. We had a falling out when he and I moved her back to Illinois after she retired. One of the first things I noticed was that in the ten years that we hadn't spoken we had both bought the same brand of speakers, and the exact same model Adcom amp. I guess blood is thicker than water I thought to myself. I walked over to his CD rack and looked for something to listen to, I grabbed Tonights The Night, and that album that's so full of death was strangely enough, very soothing to me, even as I was struggling to come to grips with the loss of my mother. He was really drunk on top shelf tequila, as he usually is by that time of night. As soon as the disc started playing he smiled real big and said " so what the fuck have you been doing for the last ten years" So now when I play that record I never think about the loss of my mother, I always think about getting my oldest brother back.
dime in the gutter wrote:is there any video out there from times fades away or ttn tours?
cortez the killer wrote:Thanks blessed. I think Zuma is an excellent album and it might be my favorite NY record of all-time. Tinnitus also suggested that I should have included it, but the Rusties would hang me if I tried to pass it off as a 'Ditch' album.