What's Everyone Listening to?

[Iowan]

[whatwouldcooleydo?]

[Shakespeare]

the rhythm half of fugazi gets jammy

[Shakespeare]

hes really angling for a pop hit here (a logical, softer extension of pacific daydream) but i cant get it out of my head

[cortez the killer]

[whatwouldcooleydo?]

FUCK YEAH!!!

[Iowan]

FUCK YEAH!!!

Digging it myself. I've got most of their albums, and this is definitely a change of pace. Lots more jangly, Exile-era Stones influence here. But not completely either.

[Clams]

FUCK YEAH!!!

x2

[whatwouldcooleydo?]

FUCK YEAH!!!

Digging it myself. I've got most of their albums, and this is definitely a change of pace. Lots more jangly, Exile-era Stones influence here. But not completely either.

I pretty much love everything they've done, one of my very favorite bands of recent years

[whatwouldcooleydo?]

absolutely no idea what possessed me to go down this road, haven't pulled these discs out in ages





little known fun fact: All the ‘Yes’ album covers are Bill Brasky family photos

[Iowan]

[Clams]

Great record. I'll join you.

[dime in the gutter]

[tinnitus photography]

npr stream. loved the first two singles but high horse was an unbelievably good left turn. cant wait to hear the rest

looks like the photo was taken at high noon, not at the golden hour.

[Shakespeare]

[Iowan]

Great record. I'll join you.

I haven't spent much time with it, but I like it. Definitely prefer it to most recent day Steve.

NP:

[Iowan]

Going back through stuff from the last couple years that I just didn't spin much.

[Shakespeare]

highlight of 2017 for me. "glitter" especially. i can see the voice being a turnoff, but the hooks just grow and grow

[Shakespeare]

[Iowan]

Really enjoying this. As brilliant as "The Most Lamentable Tragedy" was in spots, you had to sift through a lot of fragments (in true rock opera fashion) that connected the dots to get to the meat of the album. This is much more direct. I think it has a stronger 3DD appeal as well, whatever that means.

[whatwouldcooleydo?]

Really enjoying this. As brilliant as "The Most Lamentable Tragedy" was in spots, you had to sift through a lot of fragments (in true rock opera fashion) that connected the dots to get to the meat of the album. This is much more direct. I think it has a stronger 3DD appeal as well, whatever that means.

Blasting this one again, (I'm) Like a Rolling Stone now playing. Absolutely love this song, especially when at the end he starts namechecking just about everyone ever in/played with the Stones, including Bernard Fowler & Lisa Fischer, but for the love of fuckin' god, how does he leave out Ronnie Wood??? If I didn't love this band so much it would be a fireable offense

[Shakespeare]

[Iowan]

This is pretty solid. Reminds of me Isbell's pre-Southeastern solo work.

[Iowan]

This is pretty solid. Reminds of me Isbell's pre-Southeastern solo work.

[Shakespeare]

[whatwouldcooleydo?]

[whatwouldcooleydo?]

The new Decemberists isn't great, but Rusalka, Rusalka/Wild Rushes is fucking epic

Agree, it totally sounds like it is from Hazards of Love.

2nd listen has me stepping back just a bit from how much I dug it the first time, though I really love Sucker's Prayer, which itself sounds like it is from The King is Dead.

Man, can't wait to see them, late July is way too long to wait

[scotto]

Now spinnin': "Sink Hole"

[whatwouldcooleydo?]

[Zip City]

The new Decemberists isn't great, but Rusalka, Rusalka/Wild Rushes is fucking epic

Agree, it totally sounds like it is from Hazards of Love.

2nd listen has me stepping back just a bit from how much I dug it the first time, though I really love Sucker's Prayer, which itself sounds like it is from The King is Dead.

Man, can't wait to see them, late July is way too long to wait

I think Sucker's Prayer sounds like Houndmouth