What's Everyone Listening to?

[211poundsofpork]

Insane show! ('97 Phish was chock full of 'em). Reba, Ghost, Tweezer. All insane. Let's not forget the Johnny B. Goode that suddenly blasted into space. Don't listen to Phish a whole lot anymore, but this is one show I still bust out every so often.

[cortez the killer]

[Cubfan06]

Insane show! ('97 Phish was chock full of 'em). Reba, Ghost, Tweezer. All insane. Let's not forget the Johnny B. Goode that suddenly blasted into space. Don't listen to Phish a whole lot anymore, but this is one show I still bust out every so often.

Yeah, this was a good one. I didn't personally attend the Denver show, however I was in attendance at Assembly Hall two nights later which is included as part of the Filler on disc 3. Wolfman's doesn't typically get me excited live, but the 28:21 one from the Assembly Hall show is outstanding.

[dime in the gutter]

[bovine knievel]

[Clams]

Yeah man

I'm not a helpless baby
Not waitin' on you to come save me
I'm like nobody else, so you can just go fuck yourself!!

[whatwouldcooleydo?]

Detroit's Craig Brown Band effuse a pleasantly scruffy dive bar vibe on their debut LP, The Lucky Ones Forget. A mix of lo-fi country and Midwestern rock slackery, the sextet is formed around the singing, songwriting, and guitar slinging talents of Craig Brown, a fixture of the Motor City's punk scene since the mid-2000s. Brown's rickety but rocking approach and blue collar feel make him a good fit for both this style of music and for Third Man, the Jack White-owned label that signed them in 2016. Standouts like the poppy "I Wondered What" and the brief-but-mighty road rocker "Get This Money" show a band with plenty of spirit and grit, though they can also change gears with the occasional witty ballad, like on the deadbeat honky tonk of album-closer "Mine's Better." Throughout the album, Brown's rasping tenor is complemented nicely by the sweet-toned Drinkard Sisters, the Detroit sibling duo who make up one-third of his band. While not showy, The Lucky Ones Forget is an easy listen that hangs together well and makes for a solid debut.
http://www.allmusic.com/album/the-lucky ... 0003018290

Damn, does Timothy Monger get paid by the cliche'? He's just southern-fried, gutbucket, and guitarslinger away from bingo

[Clams]

Detroit's Craig Brown Band effuse a pleasantly scruffy dive bar vibe on their debut LP, The Lucky Ones Forget. A mix of lo-fi country and Midwestern rock slackery, the sextet is formed around the singing, songwriting, and guitar slinging talents of Craig Brown, a fixture of the Motor City's punk scene since the mid-2000s. Brown's rickety but rocking approach and blue collar feel make him a good fit for both this style of music and for Third Man, the Jack White-owned label that signed them in 2016. Standouts like the poppy "I Wondered What" and the brief-but-mighty road rocker "Get This Money" show a band with plenty of spirit and grit, though they can also change gears with the occasional witty ballad, like on the deadbeat honky tonk of album-closer "Mine's Better." Throughout the album, Brown's rasping tenor is complemented nicely by the sweet-toned Drinkard Sisters, the Detroit sibling duo who make up one-third of his band. While not showy, The Lucky Ones Forget is an easy listen that hangs together well and makes for a solid debut.
http://www.allmusic.com/album/the-lucky ... 0003018290

Damn, does Timothy Monger get paid by the cliche'? He's just southern-fried, gutbucket, and guitarslinger away from bingo

It worked on me.

[dee dee]

[jr29]

I do. I found the CD a few years ago at Spin Street records in Memphis.
Peter also wrote an awesome piece about Charlie and Margaret Ann Rich in his book Feel Like Going Home. Peter loved those two and he's never been shy about admitting it.

Here's Peter talking about writing feel Like Going Home and the song Charlie wrote by the same title. A little cameo by Sun guitarist, Roland Janes.
https://www.youtube.com/watch?v=s4rQOZQjXwE

Thanks, I loved that. It led me to this, the demo for Feel Like Going Home, which I'd never heard before:



That rips my heart out. Charlie Rich was something else.

Some musician I follow on social media (Kevin Russell or kevin Gordon I think) posted that demo about a year ago. That was the first time I'd heard it. It's stunning.

[dee dee]

[Cubfan06]

[whatwouldcooleydo?]

fuck yeah, I love Ike Reilly

[dee dee]

[Beebs]

Thanks Dee Dee

[dee dee]

Thanks Dee Dee

your welcome. it hits the spot

[Zip City]

Pale Grey Lore - s/t


ATTN: tinnitus, beebs, Bill, dime, anyone else who likes riff/stoner rock

BONUS: from Columbus

[dee dee]

[Zip City]

OK Computer 20th Anniversary Disc 2

[Cole Younger]

Caroline Spence- Spades and Roses.

[Cubfan06]

fuck yeah, I love Ike Reilly

Really? You know who he is? He is my roomate from college's neighbor from a town in the Northwest Suburbs named Libertyville. (Tom Morello is also from that town.) I dig We Belong To the Staggering Evening, Salesmen and Racists, and Junkie Faithful.
Cool dude as well.

[Bon Scott's AC/DC]

[Beebs]

[dime in the gutter]

Thanks Dee Dee

ditto.

pretty sure the little robed man on the stalagmite blows in the breeze of the music if you stare long enough.

[Bon Scott's AC/DC]

[dogstar]

Went to a record club evening last night. Like a book club but they play a record for you and then discuss it. The record selected for the them of Canadiana was



Can't say I enjoyed it very much but it's an interesting idea for a free night out.

[Beebs]

Jason Isbell- Demos & Unreleased 2017

[dee dee]

[tinnitus photography]

sufficiently massive.

thanks Beebs.

https://belzebong.bandcamp.com/track/acid-funeral

It just wasn't possible to see everyone at Psycho, but missing these guys really bummed me out.

they sounded great, and had some pretty sweet doom flares.

[dee dee]