One can never have too many sources for 5/8/77, so here's a new matrix
http://bt.etree.org/details.php?id=590849 16 bit
http://bt.etree.org/details.php?id=590848 24 bit
Grateful Dead
May 8, 1977
Barton Hall
Cornell University
Ithaca, NY
3 Source Matrix
Soundboard (shnid:4982)
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gd.77-05-08.mtx.Betty-eaton.4982.sbeok.flac16
Lineage:
Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)
Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks
Culled from a May 6, 1999 post by Rob Eaton to dnc --
I recently re-decoded 5/5/77 and 5/8/77. I went into Right Track Studios in NYC (my home base studio ) set up in studio B (which is the premier state of the art Digital Music Studio in world). I had clean dat copies (provided by Tim Daulton) that were NOT decoded. I set up a chain consisting of: Panasonic Sv4100 AES out-->DB Technologies 924AD (24bit/96k capability)-->Dolby 361 Modules w/DBX K9-22 cards-->Neve Capricorn 32bit point processing/full 24bit Digital Console-->DB Technologies 122s 24bit/16bit conversion and 44.1k/48k sample rate conversion-->Panasonic Sv4100 Dat AES in. This is State of the Art Technology, getting as much of the music that was on the tapes as possible. The thing about DBX that nobody else got is that in order to decode it properly the volume into the decoder has to be exact, otherwise the tapes can be too bass heavy or too bright and compressed. These tapes are absolutely the best possible reproductions of the dig tapes made from the masters (I only wish I had the actual reels so I could do a proper azimuth adjustment on them).
Seeded to etree by darrin (
dnsacks@usa.net) august 2001
Notes:
Archive shn set > to disc (Sonic Record Now) 3/05
Flac encoding notes:
All processing with Trader's Little Helper
Shn - st5 generated
Shn > Flac ( level 8 )
Flac - st5 generated and matched to Shn st5
B. Proctor 4-12-08
Audience (shnid:117027)
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gd77-05-08.ecm33p.moore.berger.miller.117027.flac24
File type 24 bit
source: aud taped by Jerry Moore
a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show,
b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above)
b)The One More Sat Nite encore is from the newly discovered original cassette master
and has only been included in previous seeds from the 1st gen reel
lineage for source 1 (with exceptions noted above):
aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>
aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels
transfer:
technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac
encore: nak dragon>tascam hd-p2 24/96>pc>flac
new transfers by Rob Berger spring 2011
mastering, pitch correction, and seeded by Charlie Miller
November 10, 2011
Audience (shnid:29303)
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gd1977-05-08.shure57.stevenson.29303.flac16
Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC
Notes:
-10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
-A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's
-Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
there Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
-if Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!
Recording And Transfer:Jeff Stevenson
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---Thank you Betty Cantor-Jackson, Jerry Moore and Jeff Stevenson for recording the show.
---Thank you Rob Eaton and Karen Hicks for your work on the SBD.
---Thank you Darren Sacks for originally seeding the SBD for us all to enjoy.
---Thank you Rob Berger for the AUD transfer.(shnid:117027)
---Thank you Charlie Miller for your work on the AUD.(shnid:117027)
---Thank you Germain for your advice, encouragement, guidance and seeding.
Matrix by dusborne
01-12-2017
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Set 1
101 - gd77-05-08s1t01 - Tuning
102 - gd77-05-08s1t02 - Minglewood Blues
103 - gd77-05-08s1t03 - Loser
104 - gd77-05-08s1t04 - El Paso
105 - gd77-05-08s1t05 - They Love Each Other
106 - gd77-05-08s1t06 - Jack Straw
107 - gd77-05-08s1t07 - Deal
108 - gd77-05-08s1t08 - Lazy Lightning ->
109 - gd77-05-08s1t09 - Supplication
110 - gd77-05-08s1t10 - Brown Eyed Women
111 - gd77-05-08s1t11 - Mama Tried
112 - gd77-05-08s1t12 - Row Jimmy
113 - gd77-05-08s1t13 - Dancin' In the Streets
Set 2
201 - gd77-05-08s2t01 - Take A Step Back
202 - gd77-05-08s2t02 - Scarlet Begonias ->
203 - gd77-05-08s2t03 - Fire on the Mountain
204 - gd77-05-08s2t04 - Estimated Prophet
205 - gd77-05-08s2t05 - Saint Stephen ->
206 - gd77-05-08s2t06 - Not Fade Away ->
207 - gd77-05-08s2t07 - Saint Stephen ->
208 - gd77-05-08s2t08 - Morning Dew
Encore
209 - gd77-05-08s2t09 - One More Saturday Night