Clams wrote:colodogdoc wrote:So Clams, is she just playing at the World Cafe venue, or is David Dye interviewing her and putting her on his radio show?
No idea, but probably just the venue. A few artists who play there also record interviews for the radio show earlier in the day, but most just play the show and that's it.
Beebs et al, I have to say I don't get the animosity. I was never really a fan of Shonna's DBT songs and I don't have much in the way of expectations for her solo stuff (at least not yet), but it seems to me that all she did "wrong" was to take some shots at Patterson after he (presumably) kicked her out of the band. And as for Neff, yeah he quit a couple of weeks before the NYE run, but guess what? It's rock and roll, and that kind of shit happens. From reading this thread, you guys are acting like it's Corporate America where everyone has to give at least two weeks written notice and you never burn bridges, etc. Band lineups change all the time and that seems to particularly apply to DBT. Did anyone here really think that Patterson, Cooley and EZB were gonna have a tough time rebounding from Neff quitting the band on short notice??? Hell no, of course they regrouped and got it together. They were running on all cylinders within like two weeks. Was there ever even a doubt? I see no reason to hate on Shonna and/or Neff for any of this. It happened, whatever. As for Eye Candy, as I said, I really have no expectations and I wouldn't yet call myself a fan, but I will say that Shonna's on-stage presence and Neff's pedal steel are two HUGE parts of what drew me into both DBT's songs and the rock shows. I'm not sure if that means that I "owe" them anything, but I'm happy to come out and support them as a "thank you" for whatever part they've played in changing my musical world these last 5 years. And while I can take or leave the donkey, I'll gladly pony up anytime Johnny Neff and Bo Bedingfield come to my town to play guitar. Y'all should lighten up!
No animosity from me Clamster. Can't say I feel very good about they way they handled themselves in these situations... but that has nothing to do with what I'm trying to express. Again, I think they pulled a few dick moves, and I'm not very musically interested in what comes next for them, but who owes who what has nothing to do with any of that.
This works on kind of a sliding scale based on an artists success and I am NOT saying anyone else should think anything like this. Purely subjective.
BOB DYLAN: I love Dylan, and his music has taught, influenced and generally enriched my life. Bob Dylan has earned more success, money and privilege through his work that he could ever know what to do with. Bob Dylan is the benefactor in "our" relationship.
SHONNA TUCKERS and JOHN NEFFS (of the musical world): They have produced some great music and been parts of projects that are near and dear to me. I am glad to have experienced their music and am better for it, but our support of them has allowed them to work full time as musicians. They are the benefactor in this relationship. Might be interested in their future projects but I don't owe them anything.
JASON MOLINA (As I am currently re-obsessed with him and going back through every lyric he ever wrote): Just like the other examples, my patronage allowed JMo to do what he loved for a living. He benefited from our support. But the songs he wrote and the way his music has genuinely enriched my life, I feel, FAR outweighs what contribution I may have made by buying records, etc.
I am the benefactor in this relationship and feel that if I could ever buy another ticket or record
I would owe that to HIM.
Just another over though, slightly skewed view on the world, courtesy of Beebs.